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c. 1445 – May 17, 1510. Italian painter.

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VALENTIN DE BOULOGNE
Christ Driving the Money Changers out of the Temple wt

ID: 09429

VALENTIN DE BOULOGNE Christ Driving the Money Changers out of the Temple wt
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VALENTIN DE BOULOGNE Christ Driving the Money Changers out of the Temple wt


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VALENTIN DE BOULOGNE

French Baroque Era Painter, ca.1594-1632  Related Paintings of VALENTIN DE BOULOGNE :. | Crowning with Thorns wr | David with the Head of Goliath and Two Soldiers | Die Falschspieler | The Four Ages of Man | The Concert a |
Related Artists:
Shinn Everett
American Ashcan School Painter, 1876-1953 American painter, illustrator, designer, playwright and film director. He studied industrial design at the Spring Garden School in Philadelphia from 1888 to 1890. In 1893 he became an illustrator at the Philadelphia Press. Simultaneously he attended the Pennsylvania Academy of Fine Arts, Philadelphia, where he met Robert Henri, John Sloan, William J. Glackens and George Luks. Their style of urban realism prompted him to depict the bleak aspects of city life. In 1897 Shinn moved to New York and produced illustrations for several newspapers and magazines
LANFRANCO, Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
Narjot, Ernest
American, 1826-98






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